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I visualize this timing most likely created during the Palladium era however I haven't verified that. Eddie Torres started teaching and popularizing this timing beginning in the 1980's, from what I recognize. He was mentored by the late June Laberta, a ballroom dancing educator, that aided him develop his technique and timing.

The story I'm continually told here, that still requires more examination, is that as salsa began reaching brand-new target markets outside of the Caribbean and New York, it was less complicated and a lot more intuitive to educate cultural outsiders to dance On1 in contrast to On2. This story doesn't account for the reality that I've heard Rueda de Casino was initially danced a tiempo On3 in Cuba.

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Salsa On1 is just among various salsa timings you can dance to and it is the most common timing you'll find on the planet today. Salsa On1 timing definition: "On1" means you begin dancing on the very first beat of bench of music the 1. Your break steps (instructions modifications) get on beats 1 and 5.

The exemptions I have actually located until now, where On2 is most typical, would certainly be around New York and in South Korea (Salsa Dance San Francisco). I make certain there are various other locations that dance mostly On2 but I haven't danced in every country yet! If you're uncertain what timing is most common where you live, ask your local dance studio

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When somebody states "I dance salsa On1" they probably suggest "I dance straight style salsa On1" (although you can dance any style of salsa On1, individuals typically imply linear style). Do not worry if you have actually said these things in the past, it's all good all of us have! The vital thing is to keep in mind there's a distinction between design and timing and deepen your understanding so you can be extra precise when speaking about salsa with your buddies.

It attaches well with the wording in the music, especially the piano, and various other percussion tools like the cow bell and giro. Timing and design are two various points, so separate the ideas when you talk concerning salsa with your good friends. No matter of what timing is most common in your region of the world, remember you can practically dance any type of style of salsa to any kind of timing discover and take pleasure in!

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There is an original mambo dancing that came from Cuba and after that spread to Mexico and New York in the 40s and 50s, these days when somebody states "I dance mambo" they imply salsa On2, which is various than the original mambo dancing. The sporadic free-from actions of the original mambo were danced solo.

Which's what we describe as mambo or salsa on2 today. As the dance started to spread, On1 timing began to become preferred. Salsa On2 definition: "On2" means you begin dancing on the initial beat of the bar of music the 2. Your break actions (direction modifications) are on beats 2 and 6.

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A whole lot of dancers enjoy dancing On2 for the diverse methods you can connect to the music. Son cubano is the music and dancing that preceded mambo and salsa.

It links well to the clave, bass and conga - Salsa San Francisco. Cha-cha is similar to dancing On2 contratiempo but you add the triple action on 4 and 8. Danced to the exact same beats as On1, your break steps are now on 2 and 6, which alters the feeling of the dance.

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This timing is virtually the same to contratiempo On2 but the actions that are generally on 4 and 8 are on 4. It's almost like a timing in between a tiempo and contratiempo.

5 as opposed to 5) you're dancing this syncopated timing. If you're dancing contratiempo and you tip half a beat late in the home position (on 4. 5 as opposed to 4) you're dancing syncopated timing. In truth it seems it's typically danced as sort of a "mistake" for any individual dancing the previous two timings.

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As discussed previously, this was the first interpretation of dance on clave (child clave), where the Puerto Ricans would align their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The idea is to align as several steps of your fundamental as feasible with the strikes of the kid clave.

The important things about music and dancing is that there is no right or wrong. There is just interpretation. You can dance on any kind of timing you like! Naturally, individuals have actually located a way to dance on practically every timing possible to boy and salsa music. People dance On3 for the same factor you dance On1 since it highlights the strong beats of 1-3-5-7.

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Allow's check out the beats you dance On1 to: -2-, -6- (strong beats are in strong) Allow's take a look at the beats you dance On3 to: -4-, -8- (solid beats remain in bold) Notification just how the strong beats are spaced precisely the exact same for On1 and On3? All you do is beginning stepping On3 instead of On1.

That's why dance On3 is so usual in Latin America. People either Try to dance On1 however begin stepping On3 by mishap and it functions out simply fine, or They do not know much regarding timing and are just translating what they listen to in the music, based upon their experience growing up in a culture with salsa.